Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"After her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of "the way memory gets up after someone has died and starts walking." These poems reinvent the form of newspaper obituary to both name what has died ("civility," "language," "the future," "Mother's blue dress") and the cultural impact of death on the living. Whereas elegy attempts to immortalize the dead, an obituary expresses loss, and the love for the dead becomes a conduit for self-expression. In this unflinching and lyrical book, Chang meets her grief and creates a powerful testament for the living."--

Obituaries

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Women --- Obituaries --- Sexism in language. --- Arabic language --- English language --- Persian language --- Women in mass media. --- Obituaries --- History --- Social aspects. --- Sex differences. --- Sex differences. --- Sex differences.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"No city in America knows how to mark death with more funerary panache than New Orleans. The pageants commemorating departed citizens are often in themselves works of performance art. A grand obituary remains key to this Stygian passage. And no one writes them like New Orleanian John Pope. Collected here are not just simple, mindless recitations of schools and workplaces, marriages, and mourners bereft. These pieces in Getting Off at Elysian Fields are full-blooded life stories with accounts of great achievements, dubious dabblings, unavoidable foibles, relationships gone sour, and happenstances that turn out to be life-changing. To be sure, there are stories about Carnival monarchs, great philanthropists, and a few politicians. But because New Orleans embraces eccentric behavior, there are stories of people who colored way outside the lines. For instance, there was the doctor who used his plasma to make his flowers grow, and the philanthropist who took money she had put aside for a fur coat to underwrite the lawsuit that desegregated Tulane University. A letter carrier everyone loved turned out to have been a spy during World War II, and a fledgling lawyer changed his lifelong thoughts about race when he saw blind people going into a Christmas party through separate doors--one for white people and another for African Americans. Then there was the punctilious judge who got down on his hands and knees to edge his lawn--with scissors.Because New Orleans funerals are distinctive, the author includes accounts of four that he covered, complete with soulful singing and even some dancing. As a popular, local bumper sticker indisputably declares, 'New Orleans--We Put the Fun in Funeral'"--

Obituaries --- Funeral rites and ceremonies --- New Orleans (La.) --- Social life and customs

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The human body is the locus of meaning, personhood, and our sense of the possibility of sanctity. The desecration of the human corpse is a matter of universal revulsion, taboo in virtually all human cultures. Not least for this reason, the unburied corpse quickly becomes a focal point of political salience, on the one hand seeming to express the contempt of state power toward the basic claims of human dignity--while on the other hand simultaneously bringing into question the very legitimacy of that power. In Unburied Bodies: Subversive Corpses and the Authority of the Dead, James Martel surveys the power of the body left unburied to motivate resistance, to bring forth a radically new form of agency, and to undercut the authority claims made by state power. Ranging across time and space from the battlefields of ancient Thebes to the streets of Ferguson, Missouri, and taking in perspectives from such writers as Sophocles, Machiavelli, Walter Benjamin, Hannah Arendt, James Baldwin, Judith Butler, Thomas Lacqueur, and Bonnie Honig, Martel asks why the presence of the abandoned corpse can be seen by both authorities and protesters as a source of power, and how those who have been abandoned or marginalized by structures of authority can find in a lifeless body fellow accomplices in their aspirations for dignity and humanity.

Society & culture: general --- Dead --- Death --- Social aspects. --- Political aspects. --- Dying --- End of life --- Life --- Terminal care --- Terminally ill --- Thanatology --- Cadavers --- Corpses --- Deceased --- Human remains --- Remains, Human --- Burial --- Corpse removals --- Cremation --- Cryomation --- Death notices --- Embalming --- Funeral rites and ceremonies --- Obituaries --- Philosophy

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Archives --- Memorialization --- Dead --- Political aspects. --- Cadavers --- Corpses --- Deceased --- Human remains --- Remains, Human --- Death --- Burial --- Corpse removals --- Cremation --- Cryomation --- Death notices --- Embalming --- Funeral rites and ceremonies --- Obituaries --- Memorialisation --- Memorials --- Documents --- Manuscript depositories --- Manuscript repositories --- Manuscripts --- Documentation --- History --- Information services --- Records --- Cartularies --- Charters --- Diplomatics --- Public records --- Depositories --- Repositories